Tim Bavington

Painting

About

Exhibitions

New Paintings, August 19 - October 2, 2010

Paintings, April 3 - 26, 2003

  • An American painter, born in England (1966), Tim Bavington is best known for his adaptations of musical scales to abstract painting. In the last decade, his work expanded into public sculpture.

    Bavington’s work is in the collections of the Albright-Knox Art Gallery (NY), Museum of Modern Art (NY), Creative Artists Agency (CA), Joslyn Art Museum (NE), Fredrick R. Weisman Collection (CA), Honolulu Art Museum (HI), Museum of Contemporary Art, San Diego (CA), Portland Art Museum (OR), United Talent Agency (CA), Vivendi Universal (CA), Palm Springs Art Museum (CA), Denver Art Museum (CO), Nora Eccles Harrison Museum of Art, Utah State University (UT), Istanbul Modern (Turkey), Museo de Arte Contemporaneo de Buenos Aires (Argentina), and Sammlung Mondstudio (Hamburg, Germany). His solo exhibitins include Feigen Contemporary (NY), Jack Shainman Gallery (NY), Morgan Lehman Gallery (NY), Azuza Pacific University Gallery (CA), MECA (ME), Galerie Jean-Luc & Takako Richard (Paris, France), Space Gallery (London, UK), and LeeAhn Gallery (Daegu, South Korea). In 2014 he was inducted into the Nevada Entertainer/Artist Hall of Fame. 

    Bavington lives and works in Las Vegas. He is the Lenahan Saltman Thomas & Mack Professor of Painting at the University of Nevada, Las Vegas.

    Artist website: https://www.timbavington.com/

  • Education
    1999 M.F.A. University of Nevada, Las Vegas
    1990 B.F.A. Art Center College of Art and Design

    One-Person Exhibitions
    2021
    The End Has No End (for Dave Hickey)

    2010
    Greg Kucera, Seattle, WA
    Decade, Mark Moore Gallery, Santa Monica, CA
    PULSE New York: Contemporary Art Fair, Public Installation Project, New York, NY
    New Paintings, Greg Kucera Gallery, Seattle, WA

    2009
    Up in Suze's Room, Jack Shainman Gallery, New York, NY

    2008
    There We Were, Now Here We Are, Mark Moore Gallery, Santa Monica, CA
    Hello, Hello, Leeahn Gallery, Daegu, South Korea

    2007
    So it Goes………, Eleven Fine Art, London, UK Recent Paintings, Jack Shainman Gallery, New York, NY
    Modern Masters From The Chris Burmeister Collection, Jonson Gallery, University of New Mexico, Albuquerque, NM
    Painting <=> Design (catalogue), Peggy Phelps and East Galleries, Claremont Graduate University, Claremont CA

    2006
    Jack Shainman Gallery, New York, NY
    Galerie Jean-Luc & Takako Richard, Paris, FRA

    2005
    Jack Shainman Gallery, New York, NY Angstrom Gallery, Dallas, TX
    Space Gallery, London, UK Heather Marx Gallery, San Francisco, CA

    2004
    Mark Moore Gallery, Santa Monica, CA

    2003
    Pulliam Deffenbaugh, Portland, OR Greg Kucera, Seattle, WA

    2002
    James Kelly Gallery, Santa Fe, NM Mark Moore Gallery, Santa Monica, CA

    2003
    Greg Kucera Gallery, Seattle
    Pullium Deffenbaugh Gallery, Portland, OR

    2002
    James Kelly Gallery, Santa Fe, NM
    Mark Moore Gallery, Santa Monica, CA

    2001
    Feigen Contemporary, New York

    2000
    Mark Moore Gallery, Santa Monica, CA
    Angstrom Gallery, Dallas

    Selected Group Exhibitions

    2010
    Intervals, Scott White Contemporary Art, San Diego, CA
    Borderland Abstraction, Bemis Center for Contemporary Arts, Omaha, NE

    2009
    Seeing Songs, Museum of Fine Arts, Boston, MA.
    Bowie, Clark and Faria, Toronto, Canada
    I Want You To Want Me, Marx & Zavattero Gallery, San Francisco, CA
    Small is Beautiful, Seomi & Tuus, Seoul, South Korea
    The Armory Show, Jack Shainman Gallery, New York, NY

    2008
    Diaspora: The Emergence of Contemporary Art From The Neon Homeland, Laguna Art Museum, Laguna Beach, CA
    Art Basel, Jack Shainman Gallery, Miami, FL

    2007
    Diaspora: The Emergence of Contemporary Art From The Neon Homeland, Las Vegas Art Museum, Las Vegas, NV
    Sound Waves - The Art of Sampling, Museum of Contemporary Art San Diego, San Diego, CA

    2005
    Extreme Abstraction, Albright-Knox Art Gallery, Buffalo, NY Dating Data, Josee Bienvenu Gallery, New York, NY
    Specific Objects: The Minimalist Influence, Museum of Contemporary Art San Diego, San Diego, CA
    The Raw and the Cooked, Claremont Center for the Arts, Claremont, CA
    NADA Art Fair, Mark Moore Gallery, Miami, FL Rock, Mark Moore Gallery, Santa Monica, CA.
    Art Cologne, Mark Moore Gallery, Cologne, Germany Pink, Patricia Faure Gallery, Santa Monica, CA

    2003
    Patricia Faure Gallery, Structure, Santa Monica, CA
    Heather Marx Gallery, Flair, San Francisco

    2002
    Young Eun Museum of Contemporary Art, Neo Painting, Kwangu-City, Korea, (catalog)
    Sala Diaz, Live Like There's Yes Tomorrow, San Antonio, TX
    Portland Museum of Art, New in Town, curated by Bruce Guenther, Portland OR
    Mark Moore Gallery, Western States, Santa Monica, CA
    Neue Galerie, The Magic Hour: Dir Konvergenz von Kunst Und Las Vegas, Kunstlerhaus, Burgring
    James Kelly Contemporary, (Las) Vegans, Santa Fe, NM, curated by Dave Hickey
    Scott White Gallery, Eye Candy, San Diego

    2000
    Mark Moore Gallery, Paint, American Style, Santa Monica, CA
    The Jones Center for Contemporary Art, New American Talent: The Fifteenth Exhibition, Austin, curated by David Pagel (catalog)
    University of South Florida Museum of Contemporary Art, Ultra lounge, Tampa, Florida, curated by Dave Hickey (catalog)

    1999
    Angstrom Gallery, Optopussy, Dallas, Texas, curated by David Quadrini
    Action Space, Unctuous Youth, Los Angeles, California, curated by Steven Criqui
    Contemporary Arts Collective, Bi-Design, Las Vegas, curated by Almond Zigmond

    1998
    DiverseWorks Artspace, Ultra lounge, Houston, Texas, curated by Dave Hickey (catalog)
    Post, 1- 15, Los Angeles, California, curated by Jeffrey Vallance

    Selected Public Collections
    Albright-Knox Art Gallery, Buffalo, NY
    Arkansas Art Center, Little Rock, AK
    CAA (Creative Artists Agency), Beverly Hills, CA
    Denver Art Museum, Denver, CO
    Fredrick R. Weisman Foundation Collection, CA
    General Mills Corporation, Minneapolis, MN
    Marnell Corrao Corporation, Las Vegas, NV
    Museum of Contemporary Art, San Diego, CA
    Museum of Modern Art, New York, NY
    Neiman Marcus Corporation, Dallas, TX
    Palm Springs Art Museum, Palm Springs, CA
    Portland Art Museum, Portland, OR
    Progressive Insurance Corporation, Cleveland, OH
    Summlung Mondstudio, Hamburg, Germany
    Thomas & Mack Co., Las Vegas, NV
    United Talent Agency, Beverly Hills, CA
    Vivendi Universal, Los Angeles, CA

    Catalogs
    New American Paintings – Juried Exhibition in Print #42. (2002). Curated by Michael Auping. Boston: The Open Studios Press.
    Neo Painting. (2002). Quangiu–City: The Young Eun Museum of Contemporary Art. Farquharson, Alex (Ed.). (2001).
    The Magic Hour, The Convergence of Art and Las Vegas. Graz: Neue Galerie.
    Hickey, Dave. (Essay). (2001). “Tim Bavington and Yek.” (Show announcement). New York: Feigen Contemporary.
    New American Talent 15. (2000). Essay by David Pagel. Dallas: Texas Fine Art Association.
    CAA Themes Out of School. (2000). Essay by David Pagel. Beverly Hills: Creative Artists Agency.
    Ultralounge, The Return of Social Space (with cocktails). (1998). Essays by Dave Hickey and David Pagel. Houston: DiverseWorks.

    Bibliography
    Collins, Tom. (2002, November 22). “Neon in the Mist: Living in Las Vegas Colors Work of London-born Artist.” Journal North, Arts section, pp 5-6.
    Indyke, Dottie. “Las Vegans,” ArtNews, May 2002, p. 176.
    King, Sarah S. “Sin City Sampler”, Art in America, Report From Santa Fe, July, 2002, p 51 – 53, with images.
    Knight, Christopher. “Tim Bavington Sprays Exuberant Visual Music”, Los Angeles Times, July 12, 2002, p 28.
    _____. “Bavington’s Sophisticated and Savvy Abstracts Exude Joy”, Los Angeles Times, June 9, 2000, p F19.
    Miles, Christopher. “Tim Bavington at Mark Moore Gallery”, ArtForum, November, 2002, p 192.
    Machida-Gaikotsu, Atsushi. “Tim Bavington at Mark Moore Gallery”, Tenpyo (Japan), Autumn, 2002, p 40.
    Odom, Michael. “‘Ultralounge,’ DiverseWorks,” Artforum, (New York) November 1998, p 119.
    Pagel, David. “Aperto Las Vegas”, Flash Art, March / April 2002 p 57-59.
    _____. “Tim Bavington at Mark Moore Gallery”, Art issues, September/October, 2000.
    _____. “Artist on a Daring Mission,” Los Angeles Times, June 1, 2002.
    Row, David. “Painting by Musical Numbers”, The Oregonian, Arts and Entertainment section, January 10, 2003, p 53.
    Smith, Roberta. "Tim Bavington and Yek" The New York Times, September 28, 2001. Show at Feigen Contemporary, NY

  • Huffington Post
    September 8, 2010
    Top Summer Shows You Can Still Catch, North and South
    Seattle
    TIM BAVINGTON
    GREB KUCERA GALLERY by Laura Macomber
    View review here

    Buscemi, Lauren. “Artist Profile: Tim Bavington”, Art LTD., May/June 2011.

    “Where To Buy”, Rev. of Changes by Tim Bavington. The Week, 8 April 2011: 28.

    Chute, James. “Painter Squeezes Inspiration From Rock”, The San Diego Union Tribune, April 2011.

    Kilston, Lyra. “Exhibition Reviews”, Art In America, September 2010.

    Pagel, David. “Tim Bavington at Mark Moore Gallery”, Los Angeles Times, Friday, April 30, 2010.

    Pincus, Robert L. “Stars and Stripes: three painters’ colorfield paintings”, San Diego Union-Tribune, Thursday,

    April 29, 2010.

    Johnson, Ken. “Tim Bavington: ‘Up in Suze’s Room’”, The New York Times, Friday, September 25th, 2009.

    Moriarity, Bridget. “My Brilliant Career: Tim Bavington”, Art + Auction (September 2009): 32.

    Knight, Christopher. “His Stripes Are A Wonderwall,” Los Angeles Times, Friday, March 21, 2008.

    Swenson, Kirsten. “Sin City Slickers,” Art in America (February 2008): 62.

    Knight, Christopher. “Embracing an refining Las Vegas gaudy,” Los Angeles Times, Tuesday, November 20th,

    2007, sec E, 1.

    Baker, Kenneth. “Tim Bavington at Heather Marx,” ARTnews, (May 2005): 148.

    Pagel, David. “Colorful stripes to music, like a rock ‘n’ roll EKG”, Los Angeles Times,Friday, April 9th, 2004,pg. E34.

    Hackett, Regina. “Painter Translates Hendrix Riffs...”, Seattle Post-Intelligencer.April 18th, 2003

    Machida-Gaikotsu, Atsushi. “Vegas New School”, Studio Voice (Japan) (October 2003): 134

    Row, David. “Painting By Musical Numbers”, The Oregonian, A&E, Friday, January 10th, 2003, 53.

    Miles, Christopher. “Tim Bavington at Mark Moore Gallery”, Artforum (November 2002): 192.

    King, Sarah S.. “Sin City Sampler”, Art In America (July 2002): 51- 53.

    Pagel, David. “Aperto Las Vegas”, Flash Art (March-April 2002): 57.

    Indyke, Dottie. “(Las) Vegans”, Art News, (May 2002): 176.

    Knight, Christopher. “Tim Bavington Sprays Exhuberant Visual Music”, Los Angeles Times, Friday, July 12th,

    2002, sec F, 19.

    Smith, Roberta. “Tim Bavington and Yek”, New York Times, Friday, September 28th, 2000.

    Pagel, David. “Tim Bavington at Mark Moore Gallery”, Art Issues (September/October 2000): 50

    Knight, Christopher. “Bavington’s Savvy and Sophisticated Abstracts Exude Joy”, Los Angeles Times, Friday,

    June 9th, 2000, sec. F, 19.

    Odom, Michael. “Ultralounge,” DiverseWorks, Artforum (November 1998): 119.

    Read about him in the blogs!
    Another Bouncing Ball
    Regina Hackett takes her Art to Go
    August, 2010
    Tim Bavington - Las Vegas magic hour
    http://www.artsjournal.com/anotherbb/2010/08/tim-bavington---las-vegas-magi.html

    Tim Bavington
    Elle Decor
    This Las Vegas-based painter translates rock music into rhythmic vision.
    By David Colman
    Download pdf or view jpg

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