John Waters

Prints

Detail images of FARRAH

About

Exhibitions

  • "With his diverse wealth of influences, Waters exposes his perverse pleasure in the Babylon of postmodern culture on the skids. But this is paramount in everything he does. John Waters is just so funny and flippant it's often easy to forget how incredibly smart and acerbic his take on things really is. It is, however, the directness of the construct through which the humor and intelligence of his photographs is distilled that makes one acutely aware of how clever and critical he can be. In the end, Waters proves himself to be a master at making us laugh when we know that we should cringe."
    by Carlo McCormick, HotWired

    The Art Showman
    Artnet Magazine, January 2004
    by Ana Finel Honigman

    At the Movies with John Waters
    Village Voice, March 22, 2003
    by Jerry Saltz

    John Waters, Esq.
    Seattle Weekly, June 13-19, 2003
    by Steve Wiecking

  • Born in Baltimore, MD, 1946

    Education
    Private Grade School
    Public Junior High School
    Catholic High School

    Occupations
    Artist, Film Director, Actor, Writer and Producer

    Selected One-Person Exhibitions
    2004
    John Waters: Change of Life, New Museum of Contemporary Art, New York
    John Waters: Last Call, Greg Kucera Gallery, Seattle

    2003
    Flop, Rena Bransten Gallery, San Francisco
    Hair in the Gate, Albert Merola Gallery, Provincetown
    Hair in the Gate, Portfolio Group-Salon Prive, Santa Fe
    Hair in the Gate, American Fine Arts, New York

    2002
    Straight to Video, Rena Bransten Gallery, San Francisco
    Low Definition, Greg Kucera Gallery, Seattle

    2001
    Galerie Emmanuel Perrotin, Paris

    2000
    Straight to Video, American Fine Arts, Co., New York
    Georg Kargl Gallery, Vienna
    John Waters, Arthur Roger Gallery, New Orleans
    Director' Cut, Galerie Emmanuel Perrotin, Paris
    John Waters: Photographs, Wexner Center for the Arts, Columbus

    1999
    Low Definition, Parco Gallery, Tokyo
    My Little Movies: Photographic Works, Aeroplastics Contemporary, Brussels
    Low Definition, Albert Merola Gallery, Provincetown, MA

    1998
    Low Definition, American Fine Arts, Co., New York
    Marks, Gavin Brown's Enterprise, New York

    1997
    Director's Cut, Pace Wildenstein MacGill Gallery, Los Angeles
    Arthur Roger Gallery, New Orleans
    Galeria Emi Fontana, Milan
    Essence d'un sens (Sentir du regard), Passage de Retz, Paris
    My Little Movies, Galerie Christian Nagel, Cologne

    1996
    Directors' Cut, American Fine Arts, Co., New York

    1995
    My Little Movies, American Fine Arts, Co., New York

    Group Exhibitions
    2003
    25th Anniversary Exhibition, Arthur Roger Gallery, New Orleans
    Twentieth Anniversary Exhibition, Gavin Brown Enterprises, New York

    2002
    Enough About Me, Momenta Art, Brooklyn, organized by Deborah Kass
    Hair Stories, Adam Baumgold Gallery, New York, Curated by Ruth Marten
    Art Downtown: New Photography, 25 Broad St, New York
    Something, Anything, Matthew Marks Gallery, New York, curated by Nayland Blake
    Sans Consentement, CAN-Centre d'Art Neuchatel, Switzerland

    2001
    Boomerang, (Collector's Choice Series), Exit Art, New York
    American Fine Arts, Co. at PHAG
    Galeria Marta Cervera, Madrid, Spain
    Albert Merola Gallery, Provincetown, MA
    Skank, Plus Ultra, Brooklyn

    2000
    A Two Year Old Girl Choked To Death Today On An Easter Egg, Hallway, London
    Albert Merola Gallery, Provincetown, MA

    1999
    Focus, Photographs by Painters, Sculptors and a Filmmaker, Thomas Segal Gallery, Baltimore

    1998
    Ghost Story, Kunstlerhaus, Vienna
    When Worlds Collide, Center for Contemporary Art, Glasgow, Scotland, curated by Tanya Leighton
    Pop-Surrealism, The Aldrich Museum of Contemporary Art, Ridgefield, CT, curated by Richard Klein, Dominique Nahas, Harry Philbrick, and Ingrid Schaffner
    Peep Show, Vaknin Schwartz, Atlanta

    1997
    Biennale de Lyon, Lyon, France, Curated by Harald Szeemann
    Photo-Op, Cincinnati Contemporary Art Center, Cincinnati, Curated by Charles Desmarais and David Brown
    Someone Else With My Fingerprints, David Zwirner, New York, touring Switzerland and Germany through 1998, curated by Wilhelm Schurmann

    1996
    Summer Group Show, American Fine Arts, Co., New York
    Spiral Garden, 1F, Tokyo, Curated by Takayo Iida

    1995
    Summer Group Show, American Fine Arts, Co., New York

    1992
    Our Town, Aperture Gallery, New York, Curated by Melissa Harris

    Selected Bibliography
    The New York Times "Skank," Holland Cotter/ June 1, 2001
    The Village Voice Vince Aletti/ December 12, 2000
    The New Yorker December 11, 2000
    New York Magazine E.N./ December 4, 2000
    Time Out New York Anne Wehr/ November 16, 2000
    New York Magazine August 21, 2000
    The New York Times Ann Wilson Lloyd/ June 13, 1999
    Juxtapoz March-April, 1999
    Village Voice Vince Aletti/ December 1, 1998
    The New Yorker November 11, 1998
    ArtNews Ali Subotnick/September 1998
    Time Out New York Linda Yablonsky/ July 16-23, 1998
    Transcript June 1998
    Flash Art Jeff Rian/ October 1997
    Parkett "A Conversation with John Waters" Colin deLand, No.49,1997
    LA Weekly Peter Frank/ July 11-17, 1997
    Los Angeles Times June 27, 1997
    Art in America Grady Turner/March 1997
    index Interview with Peter Halley and Bob Nickas/ January 1997
    The New Yorker December 1996
    Time Out New York Howard Halle/ Nov. 28, 1996
    Philadelphia City Paper Daisy FriEdition of July 12-18, 1996
    Artforum Bruce Hainley/October 1995
    The New Yorker May 22, 1995
    New York Press May 10, 1995
    The Village Voice Vince Aletti/May 9, 1995

    PUBLICATIONS
    12 Assholes and a Dirty Foot, Little Cockroaches Press 13, Toronto 1999
    Director's Cut, Scalo, Zurich 1997

The only way I have to change anyone’s opinion is if I’m making them laugh at something that they’ve maybe never laughed about before...I use humor to get people to think the way I do.
— John Waters

Greg Kucera with John Waters, 2002 exhibtion, Low Definition

I'm amazed by bad taste," he says. "It's a freedom I don't have. I was raised to worship good taste."

Waters learned about taste from his upper-middle class conservative Catholic parents in suburban Baltimore. It was a setting he rebelled against, even as a child.

"(My parents) used to drop me off at a beatnik bar downtown because they thought, 'Well, I don't know what else to do with him, and maybe here he will find himself,' and I did," says Waters.

John Waters with his proud parents at the opening of the musical "Hairspray" in his hometown of Baltimore.
Courtesy of the Baltimore Sun. Photo: Kenneth K. Lam

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