Deborah Butterfield | Sculpture


30th Anniversary Exhibition
October 3 - November 16, 2013




Bronze Sculptures


2013 Installation Views



WILLOW, 2013
Unique cast bronze with patina
93 x 98.5 x 36 inches
SOLD

Willow
Creating a fluid movement throughout, sticks and branches from a willow tree are arranged like repeated sketching strokes drawn in space. The undulating curve of the back and rump extends into Willow’s graceful neck and bowed head.




HALF MOON, 2013
Unique cast bronze with patina
87.5 x 113 x 73 inches
SOLD

Half Moon
Half Moon alludes to Butterfield’s earlier work wherein slender tree trunks leaned against the View an earlier example of this body of work.

View an earlier example of this body of work.

The branches in these earlier works become both structural and skeletal, the mud packed in between them to suggest the horse figure. Now, the artist makes reference back to these earlier works but the bronze standing horse in Half Moon is already stable and can stand on its own. The leaning branches here are, in poetic terms, the artist's linking of the source of the material to the finished sculpture in the suggestion of a horse emerging from the woods or emerging out of wood.


Horse #8 (Lean To), 1978
Mud, sticks, steel
144 x 108 inches
Collection of Davis Museum and Cultural Center Wellesley College


Horse #5, 1978
Mud, sticks, steel
36 x 112 inches
Collection of San Francisco Museum of Modern Art








RED FOREST, 2013
Unique cast bronze with patina
93 x 101 x 44 inches
POR


Red Forest
With a dark, reddish patina, Red Forest, creates a complex silhouette of dark shapes and lines. The large globes of pine boles contrast with the diagonal and vertical lodgepole pine trunks that rest against it and anchor it to the floor.

View an earlier example of this body of work.

In these standing works from the 1970s, Butterfield used a similar leaning of elements against the horse figure.
In the earlier works, the horses were made of mud and sticks and the branches or tree trunks were still wood. In current works, the entire sculpture is made of wood first and then cast in bronze providing lasting stability to the work.


Horse #6, 1978
Mud, sticks, steel
144 x 108 x 84 inches
Collection of Oakland Museum


Horse #7 (Bonfire), 1978
Mud, sticks, steel
144 x 108 x 65 inches
Collection of di Rosa Preserve Napa, California





KOAI'A, 2013
Unique cast bronze with patina
38 x 41 x 15 inches
SOLD


Koai'a (variety of koa tree)
With its upturned neck and head, this sculpture differs from the others in our exhibition. Its reaching gesture, so familiar in horse behavior, is captured by Butterfield with the most minimal of means. The sun-bleached wood is a form of koa common to mountainous areas of Hawaii, often used for traditional spears, paddles and furniture.



Found Steel



ROCKFORD, 2013
Welded found steel with concrete
41.5 x 49 x 14.5 inches
POR

Rockford
For many years, Butterfield has acquired scrap metal by the ton from a salvage yard in Rockford, Illinois. When this pile of rebar arrived at her studio, with its large chunks of concrete still attached, the artist recognized its promising opportunity. Butterfield welded the forcibly bent rebar to cage the concrete within the sculpture.


Other work available, not in current show


REDHEAD, 2005
Welded found steel
30 x 124 x 67 inches
Available - price on request

Additional view of REDHEAD, 2005


My work is not so overtly about movement. My horses' gestures are really quite quiet, because real horses move so much better than I could pretend to make things move. For the pieces I make, the gesture is really more within the body, it's like an internalized gesture, which is more about the content, the state of mind or of being at a given instant. And so it's more like a painting...the gesture and the movement is all pretty much contained within the body. - Deborah Butterfield