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EDUCATION
2001
MFA, New Genres, San Francisco State University, San Francisco
1993
BA, Evergreen State College, Olympia, WA
SELECTED ONE-PERSON EXHIBITIONS
2005
New Demands: An Installation, Greg Kucera Gallery, Seattle
Another Day in Paradise, Catharine Clark Gallery, San Francisco
2004
The Forget it Room, Catharine Clark Gallery, San Francisco
2002
This Time It’s Personal, Catharine Clark Gallery, San Francisco
Weird World, (in collaboration with Frank Haines), Headlands Center for the Arts, Sausalito
Rana Memoria, San Francisco Art Commission Gallery, San Francisco
Avian, Southern Exposure, San Francisco
2001
Introductions 01, Catharine Clark Gallery, San Francisco
1998
Self Preservation Devices, Milky World Gallery, Seattle
1997
Repetition, Variation, and Other Forms of Life, Arrowspace Gallery, Olympia
1993
Self Portraits, Capitol Theater, Olympia
SELECTED GROUP EXHIBITIONS
2004
New Fangle, Gen Art, San Francisco
Terrorvision, Exit Art, New York
Great Indoors, Walter Gallery, San Francisco Art Institute, San Francisco
2003
Pop Rocks, Caren Golden Fine Art, New York
Dinosaurs, Los Medanos Community College, Pittsburgh
Spectrum, Access Institute, San Francisco
Road Trip, Nathan Larramendy Gallery, Ojai
Life After/Afterlife, Delta Axis Gallery, Memphis
Sprout, Catharine Clark Gallery, San Francisco
2002
Perez Prado: Unauthorized Collaborations, a.o.v., San Francisco (curated by Julio-Cesar Morales)
Remember When, New Langton Arts, San Francisco
Commission 02, The San Francisco Arts Commission Gallery, San Francisco
Axis of Good, ZDB Gallery, Lisbon, Portugal
Wysiwyg?, Oakland Art Gallery/SF Camerawork, CA
Heat, SFMOMA at the Phoenix Hotel, San Francisco
Monotype Marathon, San Jose Institute of Contemporary Art
Etni Fedni, Quotidian Gallery, San Francisco
2:12 Two Minutes, Twelve Videos, San Francisco Art Commission Gallery
High Tech/Low Tech Hybrids: art in a digital age, Bedford Gallery, Walnut Creek
Portrait Obscured, San Jose Institute of Contemporary Art, San Jose
2001
Viva la Video!, Works Gallery, San Jose
Residual Images, Gallery Z, San Francisco
EVAC, AJAX, San Francisco
Summer Open House, Headlands Center for the Arts, Sausalito
Introductions South, San Jose Institute of Contemporary Art, San Jose
Lifelike, New Langton Arts, San Francisco
MFA Show, Fine Arts Gallery, San Francisco State University, San Francisco
Backstage/Frontstage, Mission Badlands Gallery, San Francisco
Audio Interventions, Mills College Music Building, Oakland, CA
2000
Aural Sex, Catharine Clark Gallery, San Francisco
Chain Reaction: On the Level, San Francisco Arts Commission Gallery, San Francisco
1999
Our Special Weekend Together, Build, San Francisco
Release, Bearded Lady Cafe, San Francisco
Milky World's Traveling Soft Show, Lump Gallery, Raleigh
1998
Postcard Show, Four Walls Gallery, San Francisco
Eye/Spy Invitational, Milky World Gallery, Seattle
1996
Art Amnesia, Capitol Theater, Olympia
1995
A Glimpse, Capitol Theater, Olympia
1994
We All Have to Work Tomorrow, Capitol Theater, Olympia
JURIED EXHIBITIONS
1997
Eye Contact: Juried Regional Photography Exhibit, Bumbershoot and Art Space Gallery, Seattle
1996
Northwest Annual, Center on Contemporary Art, Seattle
RELATED EXPERIENCE AND AWARDS
2002-03
Visiting Artist, San Francisco Art Institute
2001
MFA Headlands Center for the Arts Residency, Sausalito
Goldie Award from The San Francisco Bay Guardian
2000
Leo Stillwell Award from San Francisco State University Art Department
Guest Lecturer at San Francisco State University
Co-teaching Honors Photo Seminar: Collections, Evidence and the Narrative at San Francisco State University
1998-99
Participated in Artist Mentorship Program at Youth Industries Providing artist mentors for at-risk youth in San Francisco
BIBLIOGRAPHY
“New Fangle” Exhibition Catalogue, 2004
Glueck, Grace, “Sampling Degrees of Terror, from Al Qaeda to Cancer”, The New York Times, May 21, 2004
Davis, Chris, “Little Green Anthropologists,” The Memphis Flyer, June 2003
Hoffman, Kate, “New Gallery, New Approach,” Ojai Valley News, 2003
Bing, Alison, “Perez Prado: Unauthorized Collaborations at A.O.V Gallery,” Artweek, February 2003
Westbrook, Lindsey, “Perez Prado: Unauthorized Collaborations”, San Francisco Bay Guardian, January 7, 2003
Janku, Laura, Artweek, December 2002/ January 2003
Baker, Kenneth, “Flightless in the Mission,” San Francisco Chronicle, February 9, 2002
Garcia, Kira, Review, SF Station.com, January 31, 2002
Spalding, David, “Lifelike @ New Langton,” Flash Art, October 2001
Baker, Ken, “Toying with the Human Form,” San Francisco Chronicle, July 28, 2001
Crump, Anne, “Building an experience,” San Francisco Examiner, July 20, 2001
Helfand, Glen, “Artificial Instigators,” San Francisco Bay Guardian, July 11, 2001
Dayton, Todd, “A.I.: Artistic Intelligence,” SF Weekly, June 27, 2001
Tanner, Marcia, Lifelike Exhibition Catalog, New Langton Arts, June 2001
Mill, Francis, “Aural Sex,” NY Arts, Vol. 5, no. 11, January 2001
Horton, David and Miltner, Kristin, “Aural Sex” review, Art Papers, Jan/Feb 2001
Helfand, Glen, “Breaking the Sound Art Barrier,” Art & Auction, December 2000
Tanner, Marcia, “Aural Sex,” Exhibition Essay for Catharine Clark Gallery, September 2000
“Aural Sex” review, Artstar.com, September 16, 2000
Baker, Kenneth, “Stop, Look and Listen,” San Francisco Chronicle, Datebook, September 9, 2000
Helfand, Glen. “‘Aural Sex’,” San Francisco Bay Guardian, September 6, 2000
SELECTED PUBLIC COLLECTIONS
Brooklyn Museum of Art, NY
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