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The following is a brief selection of writings about Enrique Martinez Celaya and his work.
Click on (PDF) to view each writing.
SELECTED ESSAYS
Whittaker, Richard and Mary Rakow. 2004. From the editor; A conversation with Enrique Martinez Celaya: Self and beyond self; Looking for a context for Martinez Celaya's work. works + conversations, October: 2-19, 61-63 (PDF)
McEvilley, Thomas. 2003. Martinez Celaya: No Horizon Line. Pages 5-10 in All the Field Is Ours. Santa Monica, California: Griffin Contemporary (PDF)
Siedell, Daniel A. 2003. The October Cycle, 2000-2002. Pages 12-29 in The October Cycle, 2000-2002. Seattle, Washington: Marquand (PDF)
Ollman, Leah. 2003. In a silent season. Art In America, May: 132-137 (PDF)
Merewether, Charles. 2001. Departure without Return. Pages 30-47 in Enrique Martinez Celaya: 1992-2000. Cologne, Germany: Wienand (PDF)
SELECTED REVIEWS
Forck, Gerhard. 2004. Schneebett: Eine installation in der philharmonie. Berlin Philharmonic's Das Magazin, November/December: 85 (PDF)
Knott, Marie Luise. 2004. Kunstler dieser ausgabe: E. M. Celaya. Le Monde Diplomatique, November: 2 (PDF)
Turner, Elisa. 2004. The prince of darkness. The Herald, 7 March: 3M, 5M (PDF)
Wolgamott, L. Kent. 2003. A premonition of winter. Lincoln Journal Star, 7 December: K1-2 (PDF)
Ollman, Leah. 2001. Insight within arm's reach. Los Angeles Times, 26 November: F2 (PDF)
SELECTED GENERAL INTEREST ARTICLES
Gonzalez, Gaspar. 2005. The escape artist. Boca Raton Magazine, December: 117-118, 256, 258 (PDF)
Gilbert, James. 2004. Enrique Martinez Celaya. Flaunt, No. 54, May: 86-89 (PDF)
Wong-Sutch, Sabina. 2003. The art of living. The Peninsula, No. 1, Vol. 1: 34-40 (PDF)
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