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Born in 1966 in England; Lives in Las Vegas
Education
1999 M.F.A. University of Nevada, Las Vegas
1990 B.F.A. Art Center College of Art and Design
One-Person Exhibitions
2003
Greg Kucera Gallery, Seattle
Pullium Deffenbaugh Gallery, Portland, OR
2002
James Kelly Gallery, Santa Fe, NM
Mark Moore Gallery, Santa Monica, CA
2001
Feigen Contemporary, New York
2000
Mark Moore Gallery, Santa Monica, CA
Angstrom Gallery, Dallas
Selected Group Exhibitions
2003
Patricia Faure Gallery, Structure, Santa Monica, CA
Heather Marx Gallery, Flair, San Francisco
2002
Young Eun Museum of Contemporary Art, Neo Painting, Kwangu-City, Korea, (catalog)
Sala Diaz, Live Like There's Yes Tomorrow, San Antonio, TX
Portland Museum of Art, New in Town, curated by Bruce Guenther, Portland OR
Mark Moore Gallery, Western States, Santa Monica, CA
Neue Galerie, The Magic Hour: Dir Konvergenz von Kunst Und Las Vegas, Kunstlerhaus, Burgring
James Kelly Contemporary, (Las) Vegans, Santa Fe, NM, curated by Dave Hickey
Scott White Gallery, Eye Candy, San Diego
2000
Mark Moore Gallery, Paint, American Style, Santa Monica, CA
The Jones Center for Contemporary Art, New American Talent: The Fifteenth Exhibition, Austin, curated by David Pagel (catalog)
University of South Florida Museum of Contemporary Art, Ultra lounge, Tampa, Florida, curated by Dave Hickey (catalog)
1999
Angstrom Gallery, Optopussy, Dallas, Texas, curated by David Quadrini
Action Space, Unctuous Youth, Los Angeles, California, curated by Steven Criqui
Contemporary Arts Collective, Bi-Design, Las Vegas, curated by Almond Zigmond
1998
DiverseWorks Artspace, Ultra lounge, Houston, Texas, curated by Dave Hickey (catalog)
Post, 1- 15, Los Angeles, California, curated by Jeffrey Vallance
Bibliography
Collins, Tom. (2002, November 22). “Neon in the Mist: Living in Las Vegas Colors Work of London-born Artist.” Journal North, Arts section, pp 5-6.
Indyke, Dottie. “Las Vegans,” ArtNews, May 2002, p. 176.
King, Sarah S. “Sin City Sampler”, Art in America, Report From Santa Fe, July, 2002, p 51 – 53, with images.
Knight, Christopher. “Tim Bavington Sprays Exuberant Visual Music”, Los Angeles Times, July 12, 2002, p 28.
_____. “Bavington’s Sophisticated and Savvy Abstracts Exude Joy”, Los Angeles Times, June 9, 2000, p F19.
Miles, Christopher. “Tim Bavington at Mark Moore Gallery”, ArtForum, November, 2002, p 192.
Machida-Gaikotsu, Atsushi. “Tim Bavington at Mark Moore Gallery”, Tenpyo (Japan), Autumn, 2002, p 40.
Odom, Michael. “‘Ultralounge,’ DiverseWorks,” Artforum, (New York) November 1998, p 119.
Pagel, David. “Aperto Las Vegas”, Flash Art, March / April 2002 p 57-59.
_____. “Tim Bavington at Mark Moore Gallery”, Art issues, September/October, 2000.
_____. “Artist on a Daring Mission,” Los Angeles Times, June 1, 2002.
Row, David. “Painting by Musical Numbers”, The Oregonian, Arts and Entertainment section, January 10, 2003, p 53.
Smith, Roberta. “Tim Bavington and Yek” The New York Times, September 28, 2001. Show at Feigen Contemporary, NY
Catalogs
New American Paintings – Juried Exhibition in Print #42. (2002). Curated by Michael Auping. Boston: The Open Studios Press.
Neo Painting. (2002). Quangiu–City: The Young Eun Museum of Contemporary Art. Farquharson, Alex (Ed.). (2001).
The Magic Hour, The Convergence of Art and Las Vegas. Graz: Neue Galerie.
Hickey, Dave. (Essay). (2001). “Tim Bavington and Yek.” (Show announcement). New York: Feigen Contemporary.
New American Talent 15. (2000). Essay by David Pagel. Dallas: Texas Fine Art Association.
CAA Themes Out of School. (2000). Essay by David Pagel. Beverly Hills: Creative Artists Agency.
Ultralounge, The Return of Social Space (with cocktails). (1998). Essays by Dave Hickey and David Pagel. Houston: DiverseWorks.
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